Art, climate change challenges come together in new exhibit, UConn course

"Water Wars #2" mixed media work by Susan Hoffman Fishman, courtesy of the artist.
"Water Wars #2" is a mixed media work by Susan Hoffman Fishman depicting an imaginative interpretation of wars predicted to take place as temperatures rise and limited access to water becomes a threat to human survival. Image provided courtesy of the artist.

Vibrant paintings of the lower Connecticut River share space with images of polluted waterways in India and mixed-media works evoking future water wars and the power and physical properties of water in an exhibit that opened last week at The William Benton Museum of Art.
“Unfiltered” features the works of 11 contemporary and six 19th and early 20th century artists. But it is not only a vehicle for depicting water in disparate settings and significance for visitors to the University of Connecticut museum, located at the main campus in Storrs. As a collaboration of the museum with numerous UConn departments and programs, “Unfiltered” is also being incorporated into a climate change adaptation class new this semester that is a joint effort of Connecticut Sea Grant, located at the Avery Point campus in Groton, with the Center for Land Use, Education and Research (CLEAR), and programs in environmental studies, environmental sciences and engineering.
“One of the extra-credit assignments for the class is for the students to pick three of the paintings that are relatable to climate change issues, and identify those issues,” said Juliana Barrett, associate extension educator at Connecticut Sea Grant. “It could be anything from sea level rise to environmental justice. This is just another medium to open the discussion about climate change and learn about it.”
Barrett is teaching the class at the Storrs campus with Bruce Hyde, assistant extension educator with CLEAR, to 15 graduate and undergraduate students. Titled “Climate Resilience and Adaptation: Municipal Policy and Planning,” it will teach students about the local, practical impacts of climate change in Connecticut and assign them service learning projects in coastal communities. After class work this fall, the “Climate Corps,” field work component will happen in the spring. The course is supported by a grant from the UConn Provost’s Office.
“The first lecture we talked about climate change as part of their entire life, no matter what field they’re going into,” said Barrett, adding that the course is bringing together students from a variety of majors, including environment studies, environmental sciences, environmental engineering and landscape architecture.
For the exhibit, Barrett recommended several of the works displayed there and contributed to the interpretive text to highlight the relevance of the images to climate change.
“I don’t think any of the works were created to say something about climate change, but we can draw things out of them,” she said.
Five of the largest paintings on display are by Chester artist Leif Nilsson. His vibrant scenes of the lower Connecticut River, including Griswold Point in Old Lyme, Selden Creek in Lyme and North Cove in Essex show rare and fragile habitats that face significant challenges from sea level rise and warming temperatures.
Nancy Stula, executive director of The Benton, said “Unfiltered” is the latest of several exhibits since she came to the museum in 2013 connecting the arts and sciences as a way of making the museum more relevant to students.
“This is something we’re trying to make a habit of doing,” she said. “One of our goals is to integrate the museum in with the rest of the community by collaborating with as many departments as possible.”
Collaborators with The Benton on “Unfiltered” include the UConn departments of Natural Resources and the Environment; Civil and Environmental Engineering and Marine Sciences; as well as these UConn programs: the Institute of Water Resources; CLEAR, Connecticut Sea Grant and Connecticut NEMO.
It will be on display through Dec. 17. A portion of the exhibit is expected to travel to Avery Point and the UConn Stamford campus.
The Benton is located at 245 Glenbrook Road on the main UConn campus in Storrs. It is open Tuesday through Friday from 10 a.m. to 4:30 p.m. and on weekends from 1 to 4:30 p.m. Admission is free.
For information, visit: benton.uconn.edu

"Ornament," photograph of icicles on a branch, by Diana Barker Price.

Ornament, photograph by Diana Barker Price.

Wrack Lines – Vol. 4, No. 1: Beware the Grip of the Rip!

Beware the Grip of the Rip!

Spring/Summer 2004

Be careful of the undertow," my mother warned in somber tones when I went off with friends for a summer swim at Misquamicut Beach, Rhode Island, in my youth. "It’s very powerful and can pull you away from shore–right out to sea!" An inexperienced swimmer, I nodded gravely and went happily on my way to the day’s pleasure of surf and sun. Mom, who had extensive Red Cross training, was probably actually warning me of rip currents, although she had never heard that term and neither had I. Nor have a great many people who flock to the shore for holidays. Yet a rip current can sweep away even a strong, skilled swimmer. Don’t let that scare you away; just read on and be armed with knowledge about what they are, how to spot them, and what to do.

Rip currents, channelized currents of water flowing away from shore, can appear on any surf beach (those with breaking waves), at any time or day. They claim an estimated 100 drowning victims per year in the United States, and that doesn’t include U.S. citizens vacationing abroad. Despite the fact that they occur commonly, they are not well-known to most people. Why not? A variety of reasons; for one, obituaries may report the deaths but give the cause as drowning without mentioning rip currents. Same thing for news article reports of rescues and drownings–only about half of these are reported in news media anyway. Confusion in terminology has not helped; sometimes rip current, rip tide, and undertow are used interchangeably. The causes and conditions that generate rip currents have not been well understood until recently, so the phenomenon has remained shadowy, on the fringes of our awareness of danger. Imagine that, considering that rip currents account for 80 per cent of rescues performed by surf beach lifeguards, and cause more American deaths annually than tornadoes or hurricanes.

One who has been through one, though, will never forget it, whether he knows the name or not. Here’s a recollection from Mark Parker, an environmental analyst at the Connecticut Department of Environmental Protection:

"In 1977 when I was a student at Southampton College on Long Island, a friend and I went body surfing on the south shore of Long Island, east of the Shinnecock Bay inlet, in early November. After catching a number of waves and being in the water about a half hour, I found myself quite far from shore, and far down the beach from where we started. My six-foot-ten friend now looked like a very small stick man and I began to try to get to shore. I became very tired and began to panic, but managed to calm myself down. I reasoned I should try to ride some waves in and let them help me get closer. Then I began swimming parallel to shore to try to find areas where waves were breaking and moving toward shore. I did, and managed to do a combination of wave surfing and swimming to finally get to shore. I don’t know how long it took me but my life passed before my eyes a few times and when I finally got up on the beach, I was exhausted and collapsed on the beach to rest. I eventually got back up and my friend reached me and we got back. I didn’t realize what I had been through until a number of years later. But I’ve always been thankful that I regained calm and survived the ordeal."

My mom’s warning didn’t keep me from enjoying the beach, and this article shouldn’t keep Wrack Lines readers away either. However, you can arm yourself with knowledge and pass it on to co-workers, friends, and family, including children old enough to swim. If a family lives inland, they may be less familiar with ocean conditions that may be experienced on a vacation far away from home.

Clues That A Rip Current May be Present

A channel of churning, choppy water may be a clue–so move to a calmer section of beach. Another clue is a section of water that appears to be quite a different color from the waters on either side. A line of seaweed, debris, or foam moving steadily away toward the sea? Another sign. A break in the incoming wave pattern could be yet another. One or more, or all, of these clues may occur (or not). They often form near coastal structures, such as jetties, groins, piers, or sandbars. Sometimes the current generates a plume of sediment that can be seen moving away from shore. The body surfer may not be likely to spot that as he waits for the perfect wave, but it can be seen in aerial reconaissance, in which case a warning may be posted. Look for them.

What to Do if You're Caught

Experts say, if you’re unlucky enough to be caught in rip current, try your best to fight off panic and stay calm. Don’t fight it by swimming against it. Instead, try to recall what you’ve learned here and swim parallel to the shore. Rip currents can be very narrow, or more than 50 yards wide, so the length to swim in order to escape will vary widely. If you can manage to get far enough to one side, you can break free and then head towards shore at an angle away from it. (see diagram on page 12). If you are unable to escape the grip of the rip, float or tread water When the current weakens, swim at an angle slanted away from the current, towards shore. Do draw attention to yourself, and fast. Facing shore, yell, and wave. This is not the time for unclear statements, especially if it might be your last words! Avoid the mistake of calling out the name of a spouse or friend. If you yell "Sue!" or "Tom!" others may hear you but not realize you’re in danger. Instead yell "Help!", pure and simple. Many tragedies have occurred when would-be rescuers are themselves trapped, so maybe calling them in isn’t the best plan anyway.

Of course, it would be a big help if everyone with you had discussed rip currents and what to do before the trip to the shore. Children are often least prepared, even though they have learned emergency procedures for other situations. (Hopefully parents and other care-givers are well aware that an eagle eye must be trained on all of the offspring at all times, regardless of swimming ability.)

How to Help Somebody Else

If you hear a call for help or spot someone in distress, call the lifeguard. Seems like common sense–however, many states, including Connecticut, are experiencing serious lifeguard shortages, and people often take their chances. An alternative is to cup your hands to your mouth and shout instructions to the swimmer. If you can, throw an object that floats to the person in trouble–a lightweight cooler or swim ring, for example. The trick is to get it close enough for the victim to reach, without beaning him in the head. Have someone phone 9-1-1 immediately and wait for rescuers to arrive. For now, when you're done with this article, share it with someone–maybe even your mom!

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Wrack Lines – Vol. 4, No. 1: Letter from the Editor


Spring/Summer 2004

Letter From the Editor

To Our Readers

I hope you've all enjoyed your summer as much as I did. I had a great time helping to introduce my granddaughter, Emily, to the Atlantic Ocean (she approved). By the time you get this issue, though, our beach paraphernalia will be wistfully stowed away. Nevertheless, if you're heading south for a vacation on the coast, you'll find the article on escaping rip currents useful knowing what to do could save your life or someone else's. There's a Connecticut survivor story in this issue. These true-life experiences are equal to any TV reality fear or survival show, frightening campfire tale, or hair-raising Halloween legend I've ever heard, and are not as rare as you might think.

Speaking of true-life tales, there's the terror, tribulation, and treasure of the treacherous William "Captain" Kidd. You may have recently admired Johnny Depp as dashing Captain Jack Sparrow in the Disney flick, or recall reading about Long John Silver and other famous fictional buccaneers as a child, but did you know that real-life pirates once walked the shores of Long Island Sound? They came to trade or sell their booty, and maybe to bury it. It's part of our history and our maritime heritage. On page 4 you'll read about Captain Kidd's misadventures, and learn of a new event coming to the UCONN Avery Point campus, complete with a pirate masquerade ball. "Sea, Science, and Swashbucklers" is a public event that promises to be educational and fun.

More on scary situations: while we no longer need to fear capture by marauding pirates, and might not encounter a nasty rip current, we all do need to worry now about the health of our oceans and coastal resources. These, the tangible treasures at our feet, are clearly in peril. Nancy Balcom's article tells us about a unique opportunity upon us to change national ocean policy for the better. To really understand the ocean's importance to the U.S. economy, take a look at page 3. We know now that the vast oceans do have limits, and that we are rapidly approaching those limits. The U.S. Ocean Policy Commission has taken notice, and issued a bold call for action.

Action is also the byword for Sea Grant Knauss Marine Policy Fellows lucky senior graduate students who are selected for the opportunity to assist federal policy makers on Capitol Hill. In Laura Rear's article, you can see through her eyes her fantastic experiences both on the Hill and at sea. Laura's doing her best to encourage the preservation of marine heritage sites such as the grave of Titanic.

Finally, we tell you about those pretty, prickly jellyfish that pester us at the shore this time of year and then so quickly disappear, the Lion's Mane jellies. And, by means of Jack Sauer's terrific photos, you get a shoreside peek at the colorful Coastweeks Regatta 2004, held in September in Mystic, Connecticut.

I'd say it's an action-packed issue. We'd like our readers to take one small but important action to help maintain and improve Wrack Lines magazine. Please fill out and return the brief survey for this issue. The first ten cards that we receive will be mailed a free copy of "Living Treasures of Long Island Sound", providing a complete mailing address is given. All suggestions are welcome, as always. Read on, and enjoy!

Peg Van Patten

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